Yesterday – 1st February – was my publishers’s first birthday. Happy birthday Boldwood Books!
I submitted to Boldwood on their very first day of accepting submissions. I’d never felt quite so excited about a submission before. The information on Boldwood’s website talked about ‘publishing reimagined’ and about working in ‘true partnership’ with their authors. It sounded like everything I could ever have hoped for. I’d also never felt so positive about a submission either. I had this feeling it might be a good outcome.
And it was!
Six weeks later, my fabulous editor, Nia, sent me an email asking if I’d be free for a conversation the following week and, a few days later, I joined the Boldwood team.
Everything Boldwood promised, they have delivered in spades and a whole lot more too. I’ve felt so supported, so involved, and feel so lucky to be part of their growing team of authors.
My first year with Boldwood has been amazing and very busy:
Publication of The Secret to Happiness, a brand new novel, available on all eBook platforms, paperback and audio formats globally
Publication of Making Wishes at Bay View, the re-edited re-issue of the first part of my ‘Welcome to Whitsborough Bay’ series
Editing the remaining three parts of the series
Writing another brand new novel which will be out in July
Achieving the number 20 position in the overall Kindle chart in Australia and number 9 in Canada for The Secret to Happiness. Officially an international bestseller. Eek!!!!
Boldwood have lots of exciting plans for Year 2 and I will personally see a whopping seven books released during that time – five from my back catalogue and two brand new ones.
I cannot thank Boldwood enough for believing in my manuscript and saying yes. It’s been a joy and privilege to work with such a friendly and supportive team of professionals.
At the end of last week, I had a very busy and very exciting few days in London. There were so many highlights but I nearly didn’t make it, thanks to our delightful train network.
Hubby dropped me off at Scarborough Train Station on Wednesday morning to catch the train to York where I’d connect to London. I was confronted with this…
Whilst the new trains are lovely and the staff are delightful and often full of good humour, the actual service run by Transpennine Express is shocking. So many of the journeys I have made lately have been cancelled or running late. Apparently there was no conductor for the service so it was simply cancelled and no alternative provided other than the next train an hour later; far too late to make my connecting train to London.
I’m very lucky in that hubby works from home and I knew he wasn’t working on a deadline so I called him on the car hands-free and he had to turn around and come back to collect me. Our dog was in the car so we had to arrange to drop her off with his parents rather than dragging her to York and back (an hour each way). Just as well we did this because, whilst my London train was thankfully running on time, it took hubby nearly three hours to get home again. There’d been an accident on the main York to Scarborough road and both lanes were shut so there was a massive diversion in place. I actually made it to London fifteen minutes after he got home which is ridiculous.
I had a lovely afternoon in London, meeting my editor, Nia, and the CEO and Founder of Boldwood Books, Amanda. I’ve spoken to Nia on the phone several times and have had a Skype conversation with Amanda and Nia but nothing beats meeting them face to face. What a lovely lunch we had, talking about the first few months of The Secret to Happiness being out there, and marketing plans for 2020 and beyond. Every day, I am so very grateful that I submitted to Boldwood and my manuscript was chosen for representation because they really are an absolute joy to work with.
My hotel had a room with a view, ha ha ha! I posted this image showing Fenchurch Street station on Facebook and one of the Write Romantics, Deirdre, really made me laugh by asking “what’s that on the roof – ectoplasm?” Certainly looks like it!
On Thursday morning, I had a very quick swim, jacuzzi and steam room before wandering over to The Tower of London and Tower Bridge, five minutes’ walk from the hotel.
I’ve been to London many times over the years and this is the second time I’ve been to this area but I don’t think the sights of London will ever bore me. I love all the history amongst the modern. It was a bit chilly by the river, mind.
Usually I find London several degrees warmer than the north but not last week. Brr.
After my walk, I took the tube to Kings Cross to collect my very good friend and fellow Write Romantic, Sharon Booth. I was early but Sharon’s train was running late so that gave me a great excuse to wander around the shops at Kings Cross and the ones at St Pancras over the road. How gorgeous is this Lancome Christmas tree? When you get up close, each light is shining through a bottle of perfume. That’s a heck of a lot of bottles of perfume!
As well as meeting Boldwood, a massive highlight for me was having seven out of ten of the Write Romantics in the same place at the same time. I think we’ve managed six before so maybe one day all ten of us will get together. (From left-right on the 2nd picture below, it’s Jackie Ladbury, Jo Bartlett, Helen Phifer and Sharon Booth). Helen J Rolfe is in later pictures and I’m afraid I didn’t manage to get a picture with Deirdre Palmer as we weren’t sat together.
We joined RNA members for a talk with bestselling author, Sophie Kinsella, who has just released another book in her shopaholic series after several years’ break. It was interesting to hear how she became a writer and more about her stories. Sorry about the poor pic but we were on the back row!
I love the Confessions of a Shopaholic film and am looking forward to Can You Keep a Secret? released soon. I’ve read several of Sophie’s books including that one.
After the talk finished, all but one of the Write Romantics gathered in my room for Prosecco and I grabbed a quick drink with them before changing and heading to a drinks reception with Boldwood.
This was an opportunity to see Amanda and Nia again but also a third team member, Megan, who is the Publishing Executive. Several of the Boldwood authors were gathered and it was so wonderful to meet them in person.
(L-R is Beth Moran, Amanda Ridout (BW), Lucy Coleman, Emma Murray, Diane Saxon, Jessica redland, Nia Beynon BW) and Fay Keenan). Megan (BW) was taking the pic.
Next was the RNA’s Winter Party and Industry Awards. I’ve never been to one of the RNA’s London parties so this was a first. I had been looking forward to catching up with a few people I knew on social media but had never actually met but it was busier than I expected and, despite doing a few rounds of the room after the awards ceremony, I couldn’t see them! It doesn’t help that I’m vertically-challenged so trying to spot people in a roomful of people isn’t easy at the best of times but, when the lighting is dim and the room packed, I don’t think I stood much chance.
The highlight of the party for me was seeing two wonderful bloggers – Anne Williams and Rachel Gilbey – being nominated for the Best Blogger Award. Rachel reviewed my very first book and has read everything I’ve written since. I’ve been on several blog tours arranged via her Rachel’s Random Resources role. Anne has been a wonderful supporter of my work too more recently and I’ve had the pleasure of meeting her a few times before. Anne won and I was pleased to be able to congratulate both of them and get a photo of them together.
One of the Write Romantics was heading off home soon but the remaining six of us decamped to Pizza Express and had a lovely evening, catching up on all things writing and non-writing. Helen J Rolfe is the one on the right on the 1st image above. And I had to show my pizza because, whilst you may not be able to see, it had potatoes on it. Yes, that’s right, potatoes on a pizza! And it was delicious.
It was pouring when we left but that didn’t stop us getting a couple of photos outside The Four Seasons Hotel.
Isn’t that a lamppost gorgeous? It’s like something out of The Lion, The Witch and The Wardrobe. I kept expecting Mr Tumnus to appear at any moment!
A huge thank you to everyone who organised the Sophie Kinsella talk and the Winter Party as I know how much time and effort goes into coordinating events like this. Thank you so much to Boldwood for organising the pre-event drinks and to all the Boldwood authors. I’m sorry I didn’t get to chat individually to everyone during our short time together and then for not being able to find you to say goodbye.
My journey home was a bit fraught. I only had six minutes to make my connection in York and we were about 25 minutes late. However, so was my connecting train so I did manage to catch it. One time when I’m grateful for the poor service!
I’ve been on a little road-trip (or train-trip to be precise) this weekend, down to London. As Joey from Friends would say: London baby!
Sporting my brand new hair colour – time to go a bit lighter again in an effort to reduce the impact of that pesky white badger streak that insists on appearing after a few weeks – I caught the train down on Friday morning and returned on Sunday afternoon, feeling somewhat shattered, having had a very busy and very lovely weekend.
The purpose of the trip was to attend an RNA (Romantic Novelists’ Association) meeting on Saturday afternoon. I don’t normally go to the London-based events because it’s so expensive to get down to London from oop north, even when booked well in advance, but I had an added incentive this time. Sara-Jade Virtue, Special Sales Director and Brand Director at Simon & Schuster was the guest speaker and I was really keen to meet her.
You see, each year, on 15th July, S&S run an un-agented submissions day: #OneDay. Last year, I decided to submit but, because the MS had to be finished, I couldn’t submit my work-in-progress, Wish I Could Tell You Goodbye. They were happy to accept previously-released works providing the author owned the rights, so I submitted the first chapter and synopsis of Bear With Me. I was thrilled, two weeks later, to be asked to submit the full MS. Woohoo! Bear With Me ended up being a pass but I had some amazing feedback about my writing and was encouraged to submit any other manuscripts outside of #OneDay so I submitted Wish… in December with fingers crossed and a little prayer.
I knew that the trip would be expensive, particularly when adding in hotel costs and meals, but I decided to go to the meeting to hear what Sara-Jade had to say and hopefully speak with her in person. I figured that, whilst meeting someone in person isn’t going to make them like my manuscript any more, it’s always great to have that personal contact. Even if Wish… is also a pass, I’d have more of a relationship than I would via email only.
The thing is, I’m not very good at networking. And by not very good, I mean terrible. I don’t have a problem talking to strangers. In my day job in HR, I’m a recruiter and trainer so I’m used to engaging strangers in conversation all the time but the big difference is that I’m the one they’re there to see so they need to talk back to me! When I’m not the “person in charge”, I have a huge problem in being the one to approach a stranger to to start a conversation. All sorts of worries and doubts fill me: Why would they even want to speak to me? What if I start talking and they walk off? What if they start yawning or looking at their watch? What if I turn into a jibbering mess, especially when I want to impress them? What if they turn into a dragon and start breathing fire on me? Okay, that last one might have been an exaggeration but the others are very real. Lots of people I know are terrified of public speaking and that’s how I feel about networking. Scary stuff. Even though I’d made the journey, I had a feeling I’d bottle it.
Sara-Jade gave us a fascinating insight into the world of publishing. I had no idea how many people and how many steps there in the process from reading a manuscript to getting (and keeping) a book out there. I was hanging on every single word and also to her responses to the many questions the group asked. I was quite proud of myself because I asked a question and got a detailed answer so, if I did bottle introducing myself, at least I’d drawn myself to Sara-Jade’s attention in some small way.
The good news is that I was brave and introduced myself afterwards. She didn’t ignore me, walk off or yawn and I didn’t make a mess of it. She was absolutely lovely, knew who I was, and said she’d be in touch in a few weeks’ time. She even followed this up with an email afterwards which absolutely made my day. A moment’s courage and all that …
Before the meeting, I had a chance to meet two of my Write Romantic writing friends, Jo Bartlett and Jackie Ladbury. We met at Victoria and had the most amazing lunch in the Market Hall there. It’s like a food hall but with independent stalls rather than chain ones (or at least, if they were chains, I certainly wasn’t familiar with them) and it had a really relaxed atmosphere.
Jo was unable to join us for the RNA meeting so Jackie and I caught the tube back to Tower Hill for the RNA meeting and met another Write Romantic, Helen Rolfe, for a drink first. The three of us then went out for a meal and drinks afterwards. We went to All Bar One and had the most amazing sharing platter and nachos although we were all starving and dived in so I didn’t get a picture of those!
I have to say that it was a wonderful day from start to finish. One of the most valuable things I can ever do as a writer is to meet with other writers and talk about all things writing. It’s motivating, inspiring and incredibly helpful.
I’d decided to stay over on the Friday as well, giving me a chance to catch up with a university friend who lives in London so I had a chance to reminisce about our uni days and catch up on the latest news with him too. And I got to have a brief explore around a part of London I’ve never visited. I now want to visit The Tower of London for a proper explore and I’d like to walk across Tower Bridge too.
Last week I explained how my structural edits on my debut novel made me face my nemesis: the dreaded first chapter. I said that my next stage of editing – the line edits – would be just around the corner. Well, they arrived on Tuesday evening. Ooh. Next stage!
I’m pretty new to this being published malarkey. Before I got a publishing deal, I had no idea that there were two stages of edits or what they entailed. If I were to Google it, I’m sure there’d be a stack of information explaining the differences but, as I didn’t know they existed, I didn’t know to Google them. A classic case of you don’t know what you don’t know! For those who aren’t sure, here’s my take on it and apologies if it isn’t a perfect definition; it’s what it means from my experiences:
STRUCTURAL EDITS – As the name suggests, these are changes to the structure of your novel. These can be minor (like the couple I had where it was suggested the action at a couple of points didn’t seem to come to a close) or major like removing a sub-plot, changing the first chapter, making a character more likeable or villainous or changing the order of events.
LINE EDITS – Once the structural edits have been completed (which could involve some back and forth between author and editor), the line edits kick in. These are quite simply the editor working his or her way through the novel line by line, checking for typos, consistency, clunky sentences, grammatical errors and so on.
There should also be a proof-reading stage after this to correct any final typos and grammatical errors that may have slipped through the net.
I didn’t really know what I expected. My publisher had written me a covering email saying that there were very few changes in there and a lot of them were stylistic. I was therefore a little shocked when I opened the document to find the pages seemed to be littered with track changes. Panic! Had I really done that many things wrong? But as I started to systematically work my way through them, it wasn’t quite so bad as the same offenders kept cropping up again and again. For example, a … shouldn’t (for my publisher) have a space between the word and the dots … like I’ve just put there… when I should have done it like that. Actually, this may be an industry standard. My husband is a typesetter and I vaguely recall him saying something about this before… but I wasn’t really listening!
The thing that surprised me was commas. I always thought that I had a pretty good command of commas and it seems that I do… except when used in a sentence that contains the word ‘but’. Oops. I now wonder whether I’ve been taught incorrectly. Or is it that I’ve remembered incorrectly? I wanted to learn from my line edits and ensure that I wouldn’t submit my second MS with the same mistakes so I decided to use Mr Google to help me understand why my commas were in the wrong places. Sadly, the answers he gave confused me even more and we had a bit of a falling out (Mr Google and me; not my editor and me!) I will take some time out and see if I can understand it but not just yet as I know it’s going to give me brain-ache.
Another thing that has surprised me is that there are still typos in my MS! How? It’s been read and re-read so many times by so many people that I can’t believe they’ve still snuck in there! No wonder it’s so common to pick up or download a book these days and spot one or two that have slipped through the net. Mind you, I’ve read some books recently that are littered with them and feel so sorry for the author as that should surely have been picked up before publication. The most random one had been spotted by one of The Write Romantics who kindly read Steven for me recently. She spotted the mention of ‘predicative text’. PredicAtive? Where on earth had that come from? Neither my editor nor I had spotted it but, thanks to Sharon, it’s now corrected. I must have read the MS dozens of times yet I’ve never, ever noticed it. Mind you, had Sharon not picked it up, it would have been spotted at the proof-reading stage.
My line edits took me longer than I expected, but this is because I made the decision to properly read it again, line for line. Searching for Steven is book one in a trilogy and I’ve finished the first draft of the third book. Whilst writing the second and third part in the trilogy, characters and plot points have developed but in ways that I need to reflect in book 1. Mainly these are little things e.g. I needed to change the job of a character slightly to fit with something that happens in book 3, and I’ve decided I don’t like the name of the village that my hero in book 2 lives in so I wanted to change that. He’s meant to live in a pretty chocolate-box village and the name I’d given it – South Edgeton – sounded anything but cute village.
Last night I sent my edits and comments back to my publishers. There’ll be a bit of back and forth as I’ve raised a few questions but, once this is finalised, I’m really on my way. The book will get typeset and versions will be available for reviewers which is both thrilling and terrifying at the same time!
That’s it for now. If anyone knows a great source of information about use of commas in a sentence containing ‘but’, please shout!
PS Apologies for the lack of pictures but I couldn’t think of any relevant pictures for this post!
A week or so ago, I was given the launch day for my debut novel, ‘Searching for Steven’. I knew it was going to be June but I’d got it into my head it would probably be late June. It’s Wednesday June 3rd! Eek! That’s only just over four months away!
Things are starting to happen. I’ve had my marketing plan from my lovely publishers, So Vain Books, and I’ve had a first draft of my book cover to check I like the concept. Either late next week or early the week after, I should receive my line edits. I have no idea what this will entail. I’ve been very lucky because my structural edits which I received in October last year required very little work. I was asked to address two points in the book where it seemed like the action didn’t quite end. This required an additional sentence in each case so very easy. I was also asked to tone down a chapter where a character was a bit under the influence. When I re-read it, I could see it was a bit over the top and my publishers suggested a slight tweak that I was able to run with. I think the chapter is much better as a result. The challenging part was the start. I thought I’d already blogged about this but I’ve looked back over my posts and I can’t see one. Please forgive me if I have covered this already and am just not seeing it!
Going back and re-writing the start of ‘Steven’ was my worst nightmare because it has been my nemesis in the decade I’ve been working on the book. I am not exaggerating when I say there have been about 40-50 different starts. In ‘Steven’, my protagonist Sarah moves back to her seaside hometown of Whitsborough Bay in North Yorkshire to take over her Auntie Kay’s florist shop. In early versions of the book, this was because Auntie Kay had died and Sarah had inherited the shop. I therefore had the book starting at a funeral, a will-reading, sitting in a cafe with her best friend reflecting on the loss, getting a phone call at home with the news of the death and about six or seven other variations around this theme. Then a writing friend read one of the variations and cried, ‘No! You can’t kill Auntie Kay!’ And I suddenly realised she was right. Although Auntie Kay was dead in my book, she’d become a real character in my head and I’d grown to really like her. But why else would Sarah move back home and take over the florists if her Auntie hadn’t died. Then it struck me: she could decide to retire and travel the world. Perfect. Auntie Kay was very happy to receive this news instead of a death certificate! Great news for her but not so great for me. How would I start the book now?
The answer was pretty much anywhere. I had Sarah at work missing out on a promotion, at home ending a rubbish relationship, travelling home to Whitsborough Bay after she’d split up with the boyfriend, or being in Auntie Kay’s shop and being told the news that she wanted to give the shop to Sarah to name just a few. I started the story when she was in primary school. I started the story when she was in senior school. I started the story in so many different guises that my head was spinning!
In summer 2013, I attended the RNA’s annual conference and pitched the book to two publishers. They both loved the premise and my voice which was incredibly flattering. They also both wanted to see the full manuscript. At this point, it started with Sarah travelling home to see Auntie Kay and getting the news about the shop. The MS had been way too long so I’d cut out a lot of what went before around ending a rubbish relationship in order to get on with the main story. One editor liked it but wanted to see a bit more action e.g. splitting up with the boyfriend (the chapter I’d cut) before going home. The other wanted more of a motivation as to why she was so keen to meet The One (it is a romance story, after all). Both their comments triggered a lightbulb moment and I came up with a start to the book that got the action and the motivation. Yippee!
Problem was, although So Vain Books loved it, they were concerned that it might set the wrong tone for the book with anyone dipping into the first chapter before buying. They were absolutely right. The book is fairly light-hearted and the beginning wasn’t.
I emailed them to say I’d be delighted to make a change to the start but HELP!!!!! I explained my million variations. At one point, I’d written a chapter that I did really love and I still had it. I felt it might be what they were looking for. I edited it a bit as some of the points made in it were no longer relevant to the rest of the story and sent it over. They loved it. Phew!
So now I wait to see what the final editing stage will bring. In the meantime, I’ve pretty much written the first draft of book 3. It needs a lot of editing as I’ve made a major change to it which I’ll talk about in another post but it’s been really timely because, as a result of finishing the trilogy, I know there are some minor tweaks I want to make to ‘Steven’. I want to change the job of a minor character in book 1 who’s a major character in book 3. I want to change the name of a village because I’ve really gone off my original choice of name. I need to change someone’s age. Little things like that. The great thing is that I have the opportunity to still do that. But there will hit a point when I can no longer tinker. Very scary!
I’m now really pleased with the start of ‘Steven’. It’s been a very painful process but I’ve got there. Funnily enough, the start to the two sequels has caused me no problems at all. I tinkered a bit with book 2 and book 3 hasn’t changed at all. Whether I planned it better because I didn’t want to go through the pain of book 1 again or whether it was easier to know where to start when the book’s a sequel, I’m not sure. Whatever the reason, I’m glad I don’t have to go through it again. Unless, of course, my publisher doesn’t like the start of either book. But we’ll cross that bridge if we come to it.
Today is 2nd January. Unless you’re celebrating a birthday, this is probably a fairly insignificant date for you; the second day in a row where you write 2014 instead of 2015, the day you awake with a hangover after too many New Year’s Day drinkies, or perhaps even the return to work after a Christmas break. But for many aspiring writers, 2nd January is one of the most significant days in their writing journey because 2nd January is the day they can apply to the RNA’s New Writers Scheme (NWS).
I’d post a link for the benefit of anyone interested but there’s no point because all the places will already have gone. You see, there are only 250 places a year and priority goes to those already on the scheme. However, each year, there are many who dip out. There are those who are celebrating the amazing news of a publishing deal and graduating from the NWS, those who’ve decided to dip out the NWS due to other priorities, and even those who’ve called time on their writing dreams. Hopefully the former are far greater than the latter.
This time three years ago, my writing journey changed course forever when I received the best email in the world ever: the one that told me I’d managed to secure a place on the NWS. This was a big thing for me. HUGE! Because I’d applied the year before and had missed out. It was 2011 and applications were via snail mail. I printed off the application form the moment it appeared online, completed it and posted it first class in the first post of the day. Except it took four days to reach its destination due to heavy snow blanketing parts of the country. And, by that time, the places had already gone. I was devastated. It’s funny how things turn out because 2011 proved to be a very challenging year for me. I was unexpectedly restructured out of the job I loved into a job I’d done before and, because I was the only experienced person in a new team that had been assembled, I ended up doing four jobs and working 14-16 hour days for several months. I had no time to write. I declared that enough was enough and left that job in the November and started writing again around my new job (which didn’t consist of silly hours). I resolved to try for the NWS again. To my relief, they’d changed the application system to an online registration of interest opening at midnight on 2nd January.
After a scary moment involving our internet going down and me making provisional arrangements to go to my in-laws just in case, the system came back on and I prepared my email and waited. The countdown was excruciating. Seconds ticked by like minutes and minutes felt like hours. Then my computer screen indicated 00:00 and I clicked “send”. Then panicked. What if midnight on the dot wasn’t good enough and it needed to be after midnight i.e. 1 minute past? I sent another email just in case. The organisers probably thought I was a right numpty sending two emails a minute apart but all I cared about was securing my place. And when I received my email later that day to confirm my place, it was worth it.
I’ve submitted a full manuscript for three years: 2012 and 2013 saw the submission of the same MS, ‘Searching for Steven’ as I made significant tweaks to it based on my feedback from my 2012 critique. 2014 saw the submission of the sequel, ‘Getting Over Gary’. This year I won’t be submitting.
It feels a little strange knowing that the deadline for being part of 2015’s NWS has well and truly passed and that the new “class of 2015” will have (probably) heard already that they’ve secured a place (or not). Before today’s deadline, it didn’t feel quite so real that I’d decided to give up my place.
So why did I give up my place? Securing a three-book publishing deal would normally mean graduating from the NWS and becoming a full RNA member. Unfortunately, this isn’t the case for me. The RNA have rules about membership and one of these is that a publishing company must have been in existence for two years to be recognised by them. My publisher is new so isn’t yet recognised for full membership. I could have remained with the RNA as an NWS member for another year and become a full member in 2016 when So Vain Books will have been round long enough to meet the criteria but I made the decision that I didn’t want to stay in the NWS for another year when (a) I could release that valuable place to somebody else and give them the same opportunities I’ve enjoyed, (b) I could save myself the membership fee and put it towards a writing workshop instead, and (c) I’d still have the valuable support network of The Write Romantics.
The NWS and RNA have given me so much over the three years I’ve been a member. I’ve set up The Write Romantics with fellow-NWS member Jo Bartlett and the support, knowledge and encouragement from that group has directly secured my publishing deal. If you’ve followed my blog, you’ll recall I got two offers. The first was from a US company who Jo encouraged me to apply to when I was about to give up and So Vain Books, with whom I accepted a publishing deal, were highlighted to us by Alys who’d spotted an advert. Jo submitted to them and secured a deal but I didn’t submit as I wasn’t sure my book was a fit. Jo spoke with the publishing director about my book and I was invited to submit as a result. I would never have received either of these deals without the WRs and I’d never have met the WRs without the NWS. And I’d never have been part of the Winter Tales charity anthology of which I’m incredibly proud.
Two of the three reports I’ve received (the two for ‘Searching for Steven’) have been incredibly helpful and have helped shape it into the book that it is today (the one that received two offers!) The review of ‘Getting Over Gary’ wasn’t so helpful but I wonder whether part of that was because it was a sequel and my reader really needed to have read Steven first. Although I could have paid the extra fee and stayed in the NWS this year, I didn’t really want to submit the 3rd book in the trilogy and receive a critique that suffered because the reader was trying to read book 3 as a stand-alone book when it’s designed not to be stand-alone.
Good luck to all those who are continuing with the NWS and all the best to those who have secured a place for the first time this year (or maybe re-joined after a break). I think it’s the right decision to have dipped out this year and given my place to someone else although it’s a shame that this means dipping out of the RNA too. This doesn’t need to be forever, though, as I may well re-join when I’m eligible for full membership.
Thank you to all my readers, the organisers, and the RNA for playing a vital part in making my publishing dreams come true. I can’t thank you enough xx